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This study positions itself in the transatlantic, early modern period between American Congregationalist Jonathan Edwards (1703-1758) and English Baptist Andrew Fuller (1754-1815), and their attempts to express au fait understanding of reformed soteriologcial ideas in the age of reason.
Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.
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